Tag Archives: reykjavik

Readers choice, top 10 Icelandic bands

Last week I posted 15 bands I thought you should know.  The response to that blog was somewhat incredible in my little blog world.  Some of you are very, VERY, angry individuals, both towards the bands chosen as well as the person who’d dare pick some and leave others out.  And some of you came up with great alternatives or bands you wished were on it.

So in this post, I took the top suggestions you commented and emailed about, as well as a few more new bands I think you should check out.  As before, click on their name to find out more about them.  So, without further ado:

Agent Fresco

A good indie style rock back, akin to “At the Drive In” They’ve been in the scene since 2008, and are working on a new album as we speak.  A mellow style of math rock with creative licks and lyrics that seem to float over the top.

GusGus

GusGus is indeed a veteran  band of Iceland.  A little bit of trip-hop, a lot electronic, the band has been on the scene for almost 20 years.  Over the years, there have been many members, and those members have gone on to start production companies and other bands.  GusGus can count musicians such as Emilíana Torrini, and Daníel Ágúst amongst their ranks.  The above video is from the new Album Mexico, it’s a great album and I am currently working on a post about them, so stay tuned.

Reykjavik!

Reverent, conservative, Sunday morning driving music.  Yeahno, they’ve been around since Christ was a child, and their music is crassly clever, aggressive punk rock promoting whatever they want when they want to.  Oddly enough, on the East river walkway a few weeks ago, the song above came on, and as all the asshattedly good looking folks were surrounding me, it seemed the fitting soundtrack to my movie-like fantasty of tossing them into the river.  A lot of fun to hear live, and their massive catalog of albums is worthy of your attention.

Vigri

I’m actually quite glad a few people recommended this band.  A large contrast to Reykjavik!  Vigri is soothing, with floating lyrics over what on the surface appears to be mellow music.  But there’s a hidden intensity that creeps up on you.  I first saw them play two or so years ago, and last year at Airwaves I made everyone that came with me see the band at least once.  Not one person came back with bad things to say, even the grumpy metal guy.  I’m impatiently waiting patiently for the new album, the new material they played at Airwaves last year was fantastic.

 Legend

Mínus was the first hardcore Icelandic band I heard.  I believe it was Chimera off of the Fálkar soundtrack.  Legend is Krummi Björgvinsson from Mínus and keyboardist Halldor Björnsson.  It’s dark, sometimes industrial, sometimes rock, and it’s good, crazy good.  These guys are not to be missed live.

Pascal Pinon

I placed Samaris on the original list, one of the other projects by Jófríður Ákadóttir, but Pascal Pinon is the sweet, smooth and charming band of her and her sister, Ásthildur.  Haunting vocals and soothing instrumentals make for a very relaxing, excellent combination.  Excellent for when you just need to sit back and relax.

Just another Snake Cult

Good old fashion rock, nothing fancy but damn it’s good.  They put on an extremely high energy live gig as well.  Created by Þórir Bogason, somewhat a genius in the Icelandic music scene, their music just makes you feel good.

Snorri Helgason

Snorri’s first band, Sprengjuhöllin was a super band of sorts.  He epitomizes the hard work ethic of Icelandic musicians.  He is constantly on the go touring everywhere he can while writing and releasing music.  Later this year he will be in Connecticut with the likes of Lay Low and Svavar Knútur at the Icelandic music festival, Iceland Affair.  He’s blessed with incredible writing skills, and his songs are summer porch gems to be shared with friends and beer.

There are two newer bands that I really feel you should check out:

Cell 7

The day before Airwaves of 2013, I was standing in Lucky records with only a handful of people, when just a DJ and Ragna (Cell 7) broke into her rap.  It quickly reminded me of the old days, and her improvising, action with the crowd, and overall set was amazing.  I highly suggest you check out her stuff, and if you can, pick up her new album, CELLF

Dj. flugvél og geimskip

Trippy, spacey grooves with an incredibly fluid high pitched voice.  Dee-Lite has to love this DJ, and if you liked Dee-Lite you will love her as well.  So, set up the disco ball, lava lamp and trip out.

So there you go, more Icelandic bands for you to get to know, this time crowd sourced for your listening pleasure.  There is a lot of music out there, and it’s easy to find new stuff you yourself will dig.  Check out the Iceland Music Export page, or get the book Blue Eyed Pop to learn more about the history, distant and yesterday, of the Icelandic music scene.

 

 

 

New Airwaves Bands

Júlía from Oyama’s green fingers dancing away

Woo-a-hoo.  Another chunk O’ bands have been announced for Airwaves 2014.  And I’m extremely pleased as there are a lot of Icelandic bands I haven’t heard yet, and the ones I have are classic.  So far, there are 61 bands that have been announced, 40 of which are Icelandic.

Click here to go to my updated my Iceland Airwaves page sorted by genre, and now with a new category for the Hardcore and Metal bands.

Non Icelandic bands include Future Islands, Farao, Emilie Nicolas, and The War on Drugs will be closing the festival with the Flaming lips.  Also, Zhala, Spray Paint, and King Gizzard & The Lizard Wizard will be there.

This round of bands goes to the Icelanders though.  There are so many good bands coming, Oyama will be there.  And Rökkurró as well.  Þórir Georg, Kaleo, Endless Dark, Kippi Kaninus, Brain Police, Beneath, Fufanu, Epic Rain, Skurken, AMFJ, Kontinuum, Ophidian I, Var, Atónal Blús, Mafama, Vio, Lucy in Blue and Conflictions as well.

Links to all the Icelandic bands music will be on my Iceland Airwaves page, and you can learn more about the festival here as well as see the entire line up on the Iceland Airwaves official website.  The festival is definitely going to be another goodun!

And I leave you with Þórir Georg’s cover of Heya but Outkast. It’s an oldie, but I love it:

 

 

Iceland Airwaves recap part 3- the rest

So now that I’ve covered the new bands I was excited to see, and the bands I always look forward to seeing,  I can discuss the rest of the festival. This year there was a lot of Pylsa eating, beer and vodka consumption, and Northern lights!  until this last trip, I have never seen the Northern lights, so this definitely was a treat, and one I actually just enjoyed, without snapping a pic.

Really, there were only two non-Icelandic must sees for me, Anna Von Hausswolff and Zola Jesus.  I went out of my way to make sure I was going to see both, and with the packed crowd I lucked out that Samaris was right before the Anna Von Hausswolff show at Gamla Bíó.  micsingAnna Von Hausswollf, put on an incredibly haunting performance.   she and the band with their intense harmonization and emotional drumming was just as amazing as I expected.  The venue was so packed I was surprised NOT to see people hanging from the rafters, but I may have missed them from not being able to look up for fear of stepping on someone below.  It certainly was packed, and the onslaught of photographers in the beginning did not help with the crowded situation.

And this brings up one of the few issues I had with Airwaves this year, the aggressive photographers.  Not all were this aggressive, but there were a few who went completely overboard to get a pretty picture.  Boom goes the camera flashI applaud the quick and stern email Airwaves sent out after this reminding photographers that the festival is for all people attending, not just the press, and that it was absolutely not OK to use a flash directly into the face of performers, but until this email, it was common to see this happening to artists and the crowd:

This picture was the beginning of the Show, as you can see, even the artist is flinching away from the insanely close use of a flash, and the amount of people using it.  And unfortunately, if you were in the first couple of rows, a line of photog-ass was your view.   The lighting made for a tough show to shoot, But as this picture shows, these guys were insane with trying and they continued through almost two complete songs. Stopping only after a certain fan of Anna’s, out of awe of her music I’m sure, climbed on stage and proclaimed her love for the music by laying down right next to Anna’s keys and flashing metal signs.

Kimono at Bar 11

Kimono at Bar 11

AlisonK

Alison from Kimono at Gamli Gaukurinn

Kimono, oh dear sweet Kimono.  I admit, I saw them three times in total.  First show was Bar 11 before Metz, second at Gamli Gaukurinn, and I saw half of their final set at Lucky Records the next day.  Kimono are an old staple in Iceland, one could argue they’ve influenced a lot of music in their time, so it was great to see them live again.

Their gigs certified  they still have it.  Heavy instrumentation, with just ever-so-slightly aggressive vocals trudging through the the set.   The band was kind enough to play my favorite song, The Wire (I’m sure it was all for me) at all three gigs,  and someone paid tribute to Alison’s paying tribute at Anna Von Haussenwolffs performance at Gamli Gaukurinn by laying down center stage and flashing metal signs while soaking in Kimono’s heavy beats.

They also introduced a few new tracks that they have been working on, including a dance number, well as dance number as Kimono can get,  Think a modern Les Savy Fav.  It excites me that they are working on new stuff.  These guys are another band that personifies the Icelandic music culture.  They’ve been playing for well over a decade, and as dedicated and serious as they are about their task, they still take the time to have fun on stage, and they also display that natural ability to include the audience in that fun, cracking jokes, heckling back and just overall having a good time playing music they love.  And they have no fear about working on new stuff that may differ from the old.  It’s an epic work ethic they have, and I’m all the more excited about it.

zolaAnd of course, Zola Jesus.  She came to Iceland with a brand new band.  If she hadn’t told the audience they were new, I don’t think we would have noticed as they played a wonderful set at Gamla Bíó.  Zola was full of her typical energy and after jumping off stage barefoot, she spent a good time serenading audience members, jumping on chairs, and whipping her mic chord around barriers like a seasoned cowboy lassoing a bull.  As I’m a bit biased when it comes to Zola concerts, it was good to read that not just I was impressed with her set.  I’m glad Iceland got to see her.

Really, there is so much more one could write about, and there are so many more pics that I could share.  Iceland Airwaves yet again delivered a fantastic festival and Iceland proved to be the ever amazingly Martha Stewart of sovereign hosts.

If you want to know about how a band you dug did, the Grapevine blogged about EVERY on-venue show this year on their Airwaves dedicated blog space.  Their presence and that blog were an amazing thing this year and a great addition to the festival experience, maybe I’m just partial because they flattered me by publishing my blog/article on supporting the local Icelandic musicians, but no, it’s an extremely well put together blog about the festival over all, and you have to give Grapevine major props for the hard work they put into it.  You can see all my photos from Iceland Airwaves here, or by clicking on one of the pictures above.

It’s weird to end a blog post without my four weird questions, so I leave you with one of them, answered while some mocking was being done about the questions I ask, by Kjartan from For a Minor Reflection:

What animal would you be, and what song would you sing? A raccoon, because raccoons are the coolest animal.. And Total eclipse of the heart, because that would be the coolest song for a raccoon to sing…..

Airwaves ’13 recap part 1-The new

blackwhiteairwaves

Pétur Ben at KEX

Now for the recap on Airwaves, Yes initially I was going to do a day by day, yes I was ambitious.  No, after day 1, it didn’t happen.  So, I am going to do a couple blog posts on stuff that was new to me, and stuff I dug.

To start off, Kudos to the Iceland Airwaves staff and crew.  This was the smoothest I’ve seen it run, and I really appreciate how much help they are, even to us small potatoes that dig music and blog about it out of fun and not as our careers.  So, thank you guys for another great year.

As with all 5 years that I’ve attended, there was good, and there was notsogood.  The high points out numbered the rare low points and it’s easy to call this my favorite music festival of the year.

One of the highlights was the off-venue schedule being added to the app.  It really made picking a band during the middle of the day a lot easier, and if the off-venue performance you wanted was too crowded, it was easy to pick something else.  And this year that became more important than in the past, as it seemed the off venues were packed almost all the time, and quick changes of plans were necessary.

DJFOG

DJ. flugvél og geimskip

My goal was to focus on Icelandic bands that I had not heard before, I relied heavily on the suggestions other Icelandic musicians and friends, and regardless of their genre I made an attempt to see them play.  I did make an exception to my rule in order to see Zola Jesus, FM Belfast, and John Grant.  But all the other bands on my schedule were Icelandic, and/or bands I had seen once or twice.  And with over 200 of them rarely did I have a time where I couldn’t find something to see.

Top 3 new bands I had not seen before were Boogie Trouble, Oyama, and Hudson Wayne. Oyama was on my list based on the blog I did about them, and Boogie trouble was a must see, as a lot of Icelandic friends and musicians recommended I not miss their gig.

Boogie Trouble at Hressó

Boogie trouble’s upbeat music came in second only to their lead singers energy and charisma.  She was laughing, dancing around the place, and the entire band jammed away at both gigs I attended.  Two entirely different crowds for those shows, and yet the band created the same party like atmosphere in both situations.  They played the first day I was in town at Lucky Records, and again at Hressó near the end of the festival.  Well worth the recommends they received, and their cover of Britney Spear’s Toxic is not to be missed.

While so called “shoe-gazing” music isn’t typically my jam, I was excited to see Oyama, as I like the music I’ve heard and was interested to see how their live show would turn out.  I also saw Oyama twice, once in front of the 12 Tónar shop at Harpa, and once at the Amsterdam bar the last night of Airwaves.

Oyama rockin the walls of Harpa

Oyama rockin the walls of Harpa

The off-venue gig at Harpa turned scandalous, as the band was just too wild and crazy for the stone cold walls, and as their music filled the event hall, it breached the serenity of the Ólafur Arnalds Symphony experience, causing a panicked man to whisper pleas into Úlfur’s ear to stop briefly to allow the symphony to end in peace.  Ok, not that dramatic, but the band did have to stop briefly, you can read more about it here.

Oyama at Amsterdam

Oyama at Amsterdam

At both sets the band played energetically and together, the smaller set at Harpa was definitely more mellow than the on-venue set at Amsterdam.  And at the Amsterdam set I was really impressed with Júlía, who obviously was having issues with her voice, and yet it came out strong, non-wavering, and almost pitch perfect the entire set.  the Amsterdam set was more rowdy, and there was nothing shoe-gazing about the guitar and bass trio break-down during one of their first few songs.  I highly enjoyed the new tracks they premiered during their set.

Hudson Wayne at Iðnó

Hudson Wayne at Iðnó

Hudson Wayne gets a golden star as being one of the only bands I’ve ever heard at Iðnó where I thought the sound quality was great.  They were so spot on it would be hard to believe they were Icelanders and not from the Mid Western part of the U.S.   They appeared to be having almost more fun than the audience.  So, aside from the over-priced beer at Iðnó, I stayed the entire set and really enjoyed myself.  Was very glad to finally hear them play.

Petur Ben

Pétur Ben at KEX

I’ve seen Pétur Ben perform before, but not the newer darker catalog he has, and not with a full band.  So it was great to make it to Kex and hear him play full on.  Even though the new album is quite a bit darker, the music came off strong and I really dug the new live tracks.

Once again, Kex Hostel had KEXP hanging around, doing live streams of the music during the entire festival.  If you want to hear the live sets they recorded, I suggest heading over here to give them a listen.  They all work incredibly hard every year exposing new acts and bringing music from Iceland to the United States.

Samaris

Samaris

Sadly, the one set of new artists that turned out not so well was the Samaris show at Gamli Bio.  There were massive tech issues from the beginning, and the band looked really out of sorts and discombobulated in their performance.  I wish I could have seen them at another gig, as I was really excited to catch their act.  So until I do see them again, I am holding off judgement on their live act.

Nini Wilson at Harpa

Nini Wilson at Harpa

Last but not least by any means, another great new band was Nini Wilson.  Comprised of Örn Ingi Ágústsson from Seabear on guitar, Árni Vilhjálmsson of FM Belfast doing vocals and guitar, and Björn Stefánsson on drums.  Their music was made public only days before the festival, and yet there still was a near full venue waiting to hear what they had to offer.  After taking a moment to relax via a bottle of Lavender oil, which they passed around for the crowd to inhale, Nini Wilson began a very tight set of Folk-ish rock, moving through the set entertaining themselves and the audience with quips about being naked, not being naked and of course, a few rock guitar solos intermixed.  Very entertaining and I wish the set had been longer as it was one of the more enjoyable ones of the festival.  Can’t wait to hear what else they have in store.

You can click any picture above to see my entire photo set from Airwaves this year.

Þorvaldur Þór Þorvaldsson (Doddi)

DoddiGraphic by Paige Bowman

As the Reykjavik jazz festival is underway, I thought I would blog about an Icelandic jazz musician.  Iceland definitely holds it’s own with diverse jazz musicians.  From the smooth classical quartet style of Sunna Gunnlaugs to the glam-pop rockish guitar jams of GP! (Guðmundur Pétursson.)  It’s not that hard to find Icelandic jazz to dig.

I’m slightly biased, I really dig drummers and I find it exceptional when a drummer can not only compose their own albums, but manage not to overpower those albums with just drums.  So, it shouldn’t be a surprise that I really dig Þorvaldur Þór Þorvaldsson (Doddi.)  You may recognize him as the crazy crowned drummer that accompanied Jónsi on the band’s 2010 tour.  But before, and now after that, he’s been recording and creating jazz.  Doddi’s self titled album happens to be one of my favorite Sunday morning breakfast making albums.  You get smooth elements intertwined with great orchestrations of blended instruments, and he certainly has that ability to not overpower a piece.  The first time I heard the album I was blown away.  He was so active and smash-tacular with Jónsi but his album was such a smooth blend, not too cookie cutter but not overpowering with the hyper-ness I was expecting.  It’s a jazz album that I personally think non-jazz and jazz listeners will equally enjoy.

You can listen to the full length album here.  And my favorite tracks from the album are:

Vaknaði með vængi

Þrír fjórir
Unfortunately, from what I saw he’s not going to be around for the jazz festival.  But I am hoping that he may do something during Airwaves, the annual Icelandic music festival happening at the end of October.  You can learn more, and see what he’s up to on his website
So, apparently I cannot embed the songs from Gogoyoko directly into WordPress as they embed as objects that are not approved by WP.  I am working on getting them accepted.