Category Archives: Band

Six Amazing New Icelandic Music Videos

The mighty island of Iceland has delivered 6 new Music videos from musicians I love and admire.   I’m so excited about it, I feel compared to share.   So, in no particular order, here they are:

Laura Secord – Crop Circles

As a huge kimono and World Narcosis fan, I’m really looking forward to this new album.  This song is Minimal, yet full of both energy and tension keeping you engaged throughout, ending in utter chaos.  I really love this track and can’t wait for their new album, “Ending Friendships”  Which you can pre-ordered here.  It will be released November 1st.

Laura Secord is Alison MacNeil from kimono, Ægir Bjarnason of World Narcossis and owner of the record label, Why Not? Plötur, Erik Deluca from the band Den, and Julius of Stormy Daniels and BSÍ

Sin Fang – Hollow

Sindri of Sin fang seems to never sleep with multiple projects including Gangly, Team Dreams (with Sóley & Örvar Smárason,)  and the reappearance of Seabear.   So it may be odd, or justified, that this song is about taking a sleeping pill.  His classic vocals flow through the music, which has exemplary lullaby qualities.  The video, with soft, out of focus imagery coupled with a grainy film feel is surprisngly soothing in an oddly dark way.  The Song is off his upcoming album, “Sad Party.”  You can pre-order here.

The video was directed by Ingibjörg Birgisdóttir.   She has done some of my favorite videos including artists such as Sóley and Sigur Rós.  Pay attention to the “lyrics” on the screen as they drift off into thoughts of the artist, not his words.

Cyber – Hold

I’ve blogged about Cyber and their videos before.  Absolutely one of my favorite Icelandic hip hop bands, and one of my favorite acts to see live.  Their beats, the energy, and their presence is always commanding on stage as well as in their videos.  Their new video, Hold, is from their EP “Bizness” The video is about the the time we spend waiting, waiting for xyz and such.  English lyrics are in the description, as the song is in Icelandic.

Mr. Silla – Butter on it

You never know what to expect with Mr. Silla, and I have to say that her singing with Páll Ivan frá Eiðum is a pleasant surprise on her new album.  unlike her normal floating vocals this track carries more of a funky folk feel.   The new album, “Hands on Hands” will be released later this year.

Pink Street Boys – Hvunndagshetjur

Still dirty and raw, Pink Street boys have a new song.  Lots of beer, a fish head or two, and a country cabin filled with punk rockers, emphasis on the rock.  I still listen to their previous albums frequently, it’s great road trip music.  I’ve no idea when they’ve got something new coming out, but hopefully soon.

And, as I was writing this blog post, a notification for this new video popped up:

JFDR – Taking a Part of Me

Jófríður Ákadóttir is one of the hardest working Icelandic musicians out there.  With multiple bands and projects such as Pascal Pinon, Gangly,  and Samaris she continues to innovate and craft insanely gorgeous music.   “Taking a part of me”  is a delightful surprise, and hopefully hints at new material coming soon.  You can stream it here.

 

 

 

 

FM Belfast – Island Broadcast review

FM belfast is by far my favorite dance band to see live.  I’ve jumped up and down and picked confetti out of my hair for over 8 years watching this super-group of musicians and they’ve never let down.  Their 4th album, “Island Broadcast,” delivers that party feel and has quickly become my second favorite album of theirs, only slightly behind “How to make friends.”

The beats on the album are much more energized and dance-able than “Brighter days,” but there is a strong undertow of reality with the lyrics, creating a unique contrast that solidifies the album.  Each song on the album is it’s own story of growing old but not growing up, holding your head above water and encouraging others to do the same, and spending what little time we have on this rock enjoying where you are and what you have.

While I could go through and describe what I felt track by track, I’d rather just highlight a few of my favorites and post videos so you can make up your own mind.  The only official video I could find for songs on the album is the album opener “All My Power.”  A back and forth of two folks, one who feels guilty, the other the reason why:

My favorite track on the album by far is “The Game”

“You’re so pretty” began as a short story written by Lóa about aging restlessness.

And “Fearless Youth” was written by  Örvar Smárason and is a tribute to youth and friends of the past.

I asked Lóa a few questions and she was nice enough to answer, here they be:

  1. As a whole, the music on the album is a lot more lively than on Brighter Days, and yet  the lyrics are some of the most pensive and serious out of your albums.  Was this contrast intentional?

The contrast was not intentional no, unless Árni meant it to be so and forgot to tell me. I don’t know why the album is more lively. Maybe because we finally realize that we have nothing to lose. The track Strobe for instance is just a rave mantra to dance to. It’s not necessarily a logical track to be on the album but I don’t care about things like that anymore. Trying to do what you think people want you to do is futile.

  1. Throughout the album, there is a “them” that you seem to rally against.  Is there a single entity that is “them”, or are they different song for song?

“Them and they” usually means some force or people who are more powerful than you and control something in your life or want to control you. It’s not about anyone in particular, it’s more about trying to stay sane in our strange world.

  1. The voices in my head really appreciated “Agent” as they feel it is their rallying cry for working together to make me resemble somewhat of a normal human being? But for normal folks, who’s being encouraged in the song?

You and me are being encouraged. Because we feel like we are so powerless when in fact there are so many of us who feel the same way. I like to believe that most people are nice, if they weren’t the world wouldn’t function.  I’d also like to send my greetings to the voices in your head.

  1. How personal is this album to you?  There seems to be a lot of reflection of where the characters in the songs have been, where they are, and where they hope to be.

It’s personal on many levels. We write the lyrics together most of the time so it’s a bit of a puzzle and it means different things to us. For me I’m having a bit of a crisis of what I should do now. I don’t have a plan but for some reason I keep coming back to the idea of having chicken in a backyard and grow vegetables.

  1. In the Game, who are you taking the blame for, who has no shame?  And what is this bright light you speak of?

All of us take the blame for the people in power. The bright light is about hope and the weird need to believe in something or someone. For me it’s kind of a cry for a decent politician coming out of the woods to save us. I’m not a religious person and I’ve kind of lost hope in politics but there’s always a part of me that is hoping for some kind of female Che Guevara… ok this sound stupid but sincerity will do that to you.

Island Broadcast is available digitally, on vinyl, and on CD.  It’s available on Spotify, and if you want to purchase it any of your digital outlets should have it.  The vinyl and CD are available via their website.  Follow them on Facebook and and Instagram to be notified of touring dates and events.  You can also see the concert photos I’ve taken here:

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An Iceland Airwaves ’16 recap…

Well, it’s over.  Another year another massive amount of music, art, and sight seeing crammed into 5 days.  It began with an art show, a toilet museum opening with a Q&A from  John Lydon, and continued with a ton of new music.  On top of that I managed to go beyond my comfort zone and took part in conducting live interviews with bands, and created a few podcasts.

Jason from Zombie Popcorn convinced me to get behind a mic and conduct interviews and podcasts with him.   There were a few hilarious moments, a few cringe worthy moments, but a lot of good dialog with bands and musicians such as Dr. Gunni, Tófa, Milkywhale, and Sóley.  It’s all been compiled nice and neat like over at Zombie Popcorn on an Airwaves page.

I took all the photos in the blog post and you can see all the Airwaves photos here.

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It all started the night before Iceland Airwaves officially began at Mokka-kaffi.  Dr. Gunni of Bless, S.H. Draumur, Unum, and his own band had an art exhibit opening at the cafe.  It’s his new album, ATVIK, of which he’s only made 18 copies all with acrylic paintings of historic moments in his musical life on the album covers.  The bottom middle photo above is of Dr. Gunni giving the legendary Bubbi Morthens an empty Coke bottle… because that’s what you do apparently.

A new punk museum opened in Iceland.  Housed in an old public toilet the museum gives you the history of punk stall by stall, with memorabilia and pull down headphones so you can sample the goods.  John Lydon, accompanied by Rambo showed up for the opening and participated in a Q&A where he talked about underwear, and questioned if punk was still alive.

One of the great things about Iceland Airwaves is there is always something new, and there is always something for everybody.  In the event you can’t cram it all in at the official shows there will always be extra off-venue gigs throughout the city during the day.  This blog post would turn into a book if I commented on everything I saw so I will stick to highlights for me of new bands and veterans.

First, the new:

tofawideTófa @ 12 Tónar

One of the freshest highlights was Tófa.  The word Tófa is Icelandic for a female blue fox.   An animal that looks sweet and innocent but actually can be vicious and cunning.  And much like their namesake the began with innocent banter about who they are right before blowing out our eardrums and manufacturing mosh pits with their heavy high-spirited sets both off-venue and on.  Even a power outage at Gaukurinn was no match for drum solos and banter. 

30751689975_10580aae98_oMilkywhale is what you get when you cross an upbeat choreographer with a musician from one of the most party-est bands in Iceland.  He was bouncing and smiling behind the decks, she was all over the stage,  belting out while the audience danced away.  Both shows I saw this Airwaves were full of interactions with the crowd breaking down that wall between performers and festival goers.

 

30547700880_6f2d7fb796_oHórmónar is another new band that I was really impressed with.  I actually left PJ Harvey early so that I could catch their gig at Gaukurinn and they ended up being a great way to end the festival.  they were all over the tiny stage and guard rails, with the drummer using a wheel rim and a saxaphone player stuffed in the corner.  It all added to the rough and angry set.  I can’t wait to see what they come up with for next year.

 

30901145791_6b76c20cf6_oLast but not least is Cyber.  Comprised of some of the Reykjavíkurdætur crew, Cyber did aerobics with the crowd, rapped about Daddy issues and Aspen Barbie-world problems, and there was some hugging it out while pretending to pretend they were at prom.  Icelandic hip hop has become rather large over the last few years, and Cyber definitely was my top pick this year for the genre. 

Now for the highlights from the veterans:

This year was FM Belfast’s 10th anniversary playing Airwaves.  I first saw them in 2009-10?? when they closed the festival at NASA. The festival ended with hordes of people dancing and running past us in their underwear.  I have seen this band play small bars in Boston and stadium sized venues in Iceland and every time they leave you sweaty, out of breath, and wanting more of the party.

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Now, 10 years later, they’ve upped their game with confetti-cannons, rolls and rolls of streamers, and costumes galore.  The band revved up the crowd to the point the floors felt as if they were going to give in from the insane crowd jumping up and down.

In an interesting twist of things, two veteran bands I see whenever they play swapped up their stages.  Prins Póló dropped his band and Berndsen added one.  Things are always changing and even established bands like to completely swap things out for the fun of it.

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Prins Póló was joined by Árni Rúnar Hlöðversson from FM Belfast/Milkywhale/Plúseinn.  Perhaps having less folks on stage led to the heightened party atmosphere and more aggressive vocals and powerful beats.  Svavar was flying all over the stage interacting with the crowd as he sang songs we’ve all come to love.

 

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Berndsen on the other hand, showed up with a full band.  He played a lot of the classics, and a few of the new songs from his upcoming album, “Alter Ego.”  The new material still has that 80’s feel, but there’s more of a rock element now.   I’ve dug what I’ve heard so far and can’t wait to get my grubby mits on the full album.  The set ended with a stripped down Berndsen, and the drummer standing on his kit.

 

30771807755_ba96f21e09_oPart of the fun of going to Airwaves a lot is you get to watch bands evolve.  Fufanu is one such band, I’ve been watching them for a few years now and this year was the best I’ve ever seen them.  Their music was tight and on point, the visuals complimented the set, and they filled the Harpa hall with rock quite nicely.  They’ve released a great new video for Sports, and their show superseded my expectations.

 

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Vök packed the Reykjavik art museum and their high-octane performance with saxophones, synths, guitars and simulated drums was had the crowd excitedly dancing and singing along.  They seem a lot more at ease on stage and worked as a full rock unit playing a lot of material I actually hadn’t heard yet.

 

 

img_3254And then there was Pink street boys.  I fully admit to having a musical crush on this band.  Their dirty, garage punk rock style is just my type of music and they killed it at Gaukurinn.  The place was packed, and the sweaty horde of festival goers were rocking Their album is a go-to staple for me at home and in commute and I only wish I could see them play live more often.

 

30547786410_5cf249da04_oAnd then there was PJ Harvey.She filled the enormous hall at Valshöllin.  I was not only excited for the chance to see her live, but damned near ecstatic I  was given the opportunity to photograph.  The band entered the stage in marching band style with PJ in the middle playing the saxophone. 

She lined up in formation and once everyone was set moved front and center to begin the show.  While she played a few of her classics, her focus was on the new material.  With band members moving from brass instruments to strings, and her holding on dearly to her saxophone she filled the hall with her quirky style of music.

 

So, yet again another fantastic year at Iceland Airwaves.  All of the photos are mine though the featured image contains the Iceland Airwaves logo as well.  Early bird tickets will be on sale soon so make sure to follow Iceland Airwaves on Facebook and check their website frequently.  If you want a head start on learning about more of the Icelandic bands that may be playing next year, or just want a reminiscent feel for what you saw I suggest you check out Straumur on Facebook and their website.  They compile fantastic playlists mixed with international acts, but a lot of the new Icelandic bands coming out.  Also, follow Iceland Music Export on Facebook as they deliver speedy news on new bands, bands that are touring, and new information about the bands you already love.

 

 

 

 

 

 

 

Iceland Whatever Vol. 2: 11 Icelandic bands you should get to know.

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Iceland continually maintains a wealth of musicians and bands.  There isn’t a genre missing on the small island, and there is a lot of talent found almost everywhere you look.  From atmospherically haunting soundtracks to the darkest metal, you can always find something you’ll dig.  And while this list doesn’t encompass all said genres, it’s my personal list of bands I’m enjoying at the moment.

Full disclosure, this blog post is about the 11 bands I’ve been lucky enough to compile on the new Icelandic Whatever compilation.  They are 11 bands I truly dig, and I hope you will as well.  The new compilation is released on November 11th, and is available for pre-order for $3 here.  These bands are presented in the order of the compilation.

Most of these bands will be at Iceland Airwaves 2016.  So if you’re going, make sure to check them out.  The schedule and more info for Iceland Airwaves can be found here.

Berndsen – “Alter Ego”

David Berndsen is Berndsen.  I try to describe Berndsen not as 80’s retro, or a blast from the past, but as a continuation of the 80’s, with unique beats, heavy synths, and a booming voice.  It’s not just a pinhole representation of what we loved about the 80’s, it’s a feel good modernized trip back to what we dug.  In my opinion, he’s taken what can be a very dated musical genre and made it timeless.  His music videos are also something of pure genius and are frequently on almost all of my house party playlists.  The video above is “Shaping the Grey” featuring the talented singer/songwriter Elin Ey, and Högni Egilsson of GusGus fame.  It is from his new album “Alter Ego.”  The title track  is on the compilation. Other videos you should watch are  Lover in the dark, and Game of Chance.

Dr. Gunni – “Ég er aumingi”

Dr. Gunni is a veteran punk, he’s been at it since the 80’s.  And as well as the band Dr. Gunni, he has been in the legendary bands:  SH Draumur, Bless, and Unun.  He wrote, “Blue eyed pop” which is the most comprehensive book on the history of rock in Iceland and has also has released a few compilations in his time called the Snarl series which was the inspiration for me to begin releasing compilations.  The song “Ég er aumingi” is on the new comp, and it’s from his upcoming album, “ATVIK”.

Milkywhale – “Invisble”

MilkyWhale began as a musical project between choreographer Melkorka Sigríður Magnúsdóttir  and Árni Rúnar Hlöðversson (FM Belfast, and Pluseinn.)  It’s dance pop, with unique breaks and as with their music, their live shows are filled with high energy moments that somehow bring both band and audience together almost as if everyone in attendance had rehearsed their dancing.  “Invisible” is on the compilation.

Boogie Trouble – “Moldun”

Yes, Icelandic Disco does exist, perhaps it’s not well known, but one of Donna Summers favorite songwriters was Icelandic.  I fell in love with Boogie trouble the first time I saw them at Iceland Airwaves years ago.  It’s a super group of talented and seasoned musicians, and their new album, “Í bænum” is one solid disco dance-fest.  I’ve written about it before, and I still thing the song, “Moldun” is about the quest of a lonely space cowboy to find his electric-slide line dancing space cow folk.  Thankfully, the band has let me put said track on the compilation.

Pink Street Boys – “Let it down”

I like contrast, and Pink Street Boys delivers said contrast.  Dirty, sludgy punk infused garage rock.  practically insane in everything they do, they’ve been my go-to rock out band for quite a while now.  I originally wanted “Evel Knievel” for the compilation, but they delighted me with a new gem, “Let it down” and it does not disappoint.

Æla – “Rólegur!

Æla continue to be a treat.  They are a punk band whose live shows are always a must-see for me.  Every year after their gig I say “that’ll be tough to beat next year,” and every year they beat it.  The dedication they put into their show antics are only beat by their dedication to their music, and their new-ish album, Vettlingatök (Handle with kid gloves) is solid.  “Rólegur” is the track on the compilation, and the performance above was at the Iceland Airwaves KEXP stage at Kex last year.

Myrra Rós – “One amongst others”

Myrra Rós, is well known in Iceland for her solo project as well as a vocalist for the band Var. She is an enchanting chanteuse, her soothing  voice soars only grounded by heavy instrumentation below her.   Her new album, “One Amongst Others” is an atmospheric collection of other-wordly songs.  The title track shown above is on the compilation.

Svavar Knútur – “Wanderlust”

Svavar Knútur is the traveling troubadour.  From the west side of Iceland his folk songs are a contrast of serious topics happily sung.  He takes his audiences on comedic journeys and with or without a backing band an audience is never left without.  The song above is an acoustic version of the song”Wanderlust” from his newest album, Brot (The breaking) and the album version is on the compilation.

Cyber – MÁVAR

Cyber is an interesting duo.  Formerly they were what I can only describe as disco/metal/rap duo, and now they are hip hop. I was stoked when they agreed to be on my comp, as I really like their music + lyric combination.  Typically they rap in Icelandic, but the video above is in English. MÁVAR is the track they’ve let me use for the compilation, trippy beats, Icelandic lyrics.

Reykjavik! – Flybus!

It’s no secret that Reykjavik!  is one of my favorite bands.  They are somewhat garage/punk rock legends in Iceland, and they are a band I thought I would never get to see live.  So last year when they played a surprise gig at Kaffibarinn, I became that happy little kid on Christmas morning.  It was sweaty, and nobody could really move except for the band, which managed to hang off the ceiling, bars tops and audience members, you can see the pics I took of the gig here.  So you can imagine how happy I was when they let me put their classic track, Flybus! on the compilation.

Futuregrapher – Shemale

I was beyond stoked when Futuregrapher agreed to be on the compilation, even more so when he sent a brand new track.  he mixes multiple layers of trippy broken beats combined with the atmospheric noise to create unique songs you can’t help but get wrapped up in.  He’s a breath of fresh air to see live, and you get sucked in not only by the music, but by his unique style behind the machines.  I’ve written about him before, and the new song, Shemale, which is on the compilation is something different I’ve never heard from him before.  It’s the perfect ending to a great list of musicians on the compilation.

Boogie Trouble – Í Bænum

Iceland is one of the most musically diverse countries in the world.  You can find everything and anything your heart desires so it’s no surprise to find a full-fledged Disco band in 2016.  Disco isn’t all that strange for Iceland, Þórir Baldursson was rather successful in the 70’s working with Donna Summer during the global disco hay-day, and I’m pretty sure there are closets and caves with hidden disco balls and way too tight disco pants all over the island.

Klara Arnalds, Ingibjörg Elsa Turchi, Sunna Karen Einarsdóttir, Sindri Freyr Steinsson, Arnar Birgiss and Sigurður Tómas Guðmundsson are all Boogie trouble.  I first saw them a few years ago at Iceland Airwaves, their live gigs are more parties than gigs and it only took a short time before they became local favorites.  I’ve written about them before And this review is about their highly anticipated new album Í Bænum.

Quite frankly,  Í Bænum is the perfect rump shaking album for summer.  There are layers of horns, percussion, strings and a good share of bwap-bwap guitars all wrapped around a solid dancing beat that just doesn’t quit.  Klara Arnald’s voice is perfect for this style of music, strong enough to rival the brass yet nimble while it dances in between the other musical players, such as on the title track:

My second favorite track on the album, “Gleymmér ey.” opens with almost a disco-80’s fusion type of sound before Arnalds voice comes to us in a lower pitch.  The beat remains a highly energetic roll of percussion reminiscent of a stampede of horses rolling over the countryside.

I wasn’t going to translate any songs as my Icelandic is limited to colors, time, and asking where the bar is.  But  “Moldun” has become my favorite track on the album because when you listen to it, it basically translates itself.  It’s fairly obvious that the song is about a disco space cowboy who has landed on a strange planet in search of his beloved disco ball which has gone missing.  Feeling all alone and run out of town for being a strange disco space cowboy, he finally finds the disco ball in rafters of an old Icelandic countryside church shining down on many disco cowpeople grooving away.  I mean, I could be wrong but I’m 99.2% sure I’m correct:

All in all this album will make you dance.  It has become a necessary album on our party playlist,  and DJ sets.  Even my local bar has begun playing a few tracks off of it to keep the night interesting.   You can listen to the entire album and purchase it here on Bandcamp, and I highly suggest you follow them on Facebook.

 

 

 

Taste of Iceland 2016

It’s time again for the annual Taste of Iceland event here in Boston.  The cultural event that brings a sampling of Icelandic culture to different cities around the United States every year.

Food, film, music and writing are all part of this year’s event.  For us music-minded folks there is a two-fer of sorts.  Along with the Reykjavik calling concert, they are also showing “Rokk I Reykjavik” at the Brattle theatre.

This year’s cuisine event will be held at The Merchant, a great little spot located in the finance district /downtown crossing area.  The Merchant’s chef Matt Foley will collaborate with Thrainn Freyr Vigfússon of LAVA, the Blue Lagoon restaurant in Iceland.  Learn more about the menu here, as with all of the events of Taste of Iceland, it’s highly recommended you reserve your spot sooner than later.

For the literature lovers and writers out there, I suggest you attend “The Write stuff” led by Eliza Reid, a co-founder of Iceland’s writers retreat.  On March 5th, 1:00-2:30pm she will go into the hows and whys of Iceland’s strong written word history at the Barnes and Noble in the Prudential Center.  Also, there will be a lot of great books written by Icelandic authors available for purchase, including Halldór Laxness, and Jon Gnarr.  Learn all about it here

For Film:

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Rokk í Reykjavik is playing at the Brattle Theater, March 6th at 3PM!  This documentary is one I suggest everyone watch.  It’s chock-full of music goodies and interviews and concert footage of a lot of classic Icelandic musicians.  You’ll see a lot of the folks you already know, and most likely, you’ll learn about new artists and bands you really should know.  Not only does Boston get treated to this documentary, but Sigtryggur Baldursson, A man who happens to have been in a lot of my favorite classic Icelandic bands including Sugarcubes, Kukl, and Þeyr, will be on hand afterward for a Q&A.  Here’s the band Þeyr doing “Rúdolf” from the Rokk í Reykjavik documentary: 

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And now, Reykjavik Calling. On March 5th at 8pm the annual concert at the Middle East will happen.  This concert combines both local Boston bands with Icelandic bands, typically the atmosphere is uplifting, and it feels like a giant party.  This year Boston locals Neme and Adam Ezra Group will play with Axel Flóvent and CeaseTone.  The Concert is free, and I suggest getting there early as it always fills to capacity quickly.

You can see photos of previous Reykjavik Calling’s here.

Nemes

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From Boston, Nemes is an indie folk-ish band, with high energy and excitability their charm comes in exciting crowds a mix of folk, country and rock.

Axel Flóvent

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In excellent contrast, Axel Flóvent from Iceland will be there.  Calming, mellow and harmonic music reminiscent of Nick Cave.  I’ve seen him live a few times up in Iceland, and it’s difficult not to get sucked into the music.  He’s one of the great new exports of the Island and it’s rare I find folks who dislike him.

the Adam Ezra Group

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Also from Boston, the Adam Ezra Group will be performing.  Boston is famous for large bands, groups of friends getting together to make great music.  Adam Ezra Group certainly fits the bill.  a great group of folks churning out good ole rock and roll.

CeaseTone

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And last, certainly not least CeaseTone will be here.  CeaseTone is just as much about guitars and rock as electronics, expertly combining the two creating great music.  Another band I’m looking forward to seeing here in Boston.

It’s going to be a great couple of days here in Boston.  I highly suggest you RSVP on Facebook or the Taste of Iceland website, as things fill up quickly and sell out every year.

I asked CeaseTone the standard 4 questions, and Hafsteinn Þráinsson was kind enough to answer:

  1.  What’s your favorite place in Iceland to play:  A place called Húrra!
  2. What is you or the band’s favorite color:  Deep Blue
  3. What are 3 of your favorite little known bands of Icelandic origin:  In The Company Of Men, Gangly, Muck and soo many others
  4. If you could be any creature playing your favorite song, what would the creature be? And what is the song:  Do you mean favorite song in general or with the band? If in general I’d like to be Yoda rapping “Bitch Don’t Kill My Vibe” by Kendrick Lamar.  If with the band I’d like to be Gandalf The White playing “Full circle”

See you there!

 

 

 

 

 

 

Talking about the weather

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As the digital format is now available globally, I wanted to repost my review, written almost a year ago to date.

It seems that when an artist matures they feel the need to leave their old style and branch out into the new.  This can be discouraging to some listeners, and exciting for others.  On Lay Low’s new album, Talking about the weather, the new, slightly more complex sound chooses to embrace the past and bring it along instead of dismissing it entirely.  The more I listen to this album, the more I appreciate it, and it definitely is the best I’ve heard so far in 2014.

Lay Low, Lovísa Elísabet Sigrúnardóttir, has been in the Icelandic music scene for almost a decade now.  She’s in the famous Benny Crespo’s gang, and she has been putting out solo albums since 2006.  Recently, she charmed the socks of the interwebs by doing a cozy live stream concert from the living room of her home.  I’ve said before that she has an ability to make any size crowd feel at home, and even over the web she managed to make the listener feel as if they were hanging in her living room.

I’ve compared her previous albums to birth-children of June Carter and Nancy Sinatra.  And they are all excellent lo-fi country-esq masterpieces.  And while different than the others, the new album maintains the quality a Lay Low fan would expect.  Each song is a single on it’s own, but is made greater with it’s accompanying album mates.

Talking about the weather starts out very classic, her voice strongly leading us into a familiar Lay Low guitar beat.  But then the listener is quickly introduced to the new gang of instruments and complexities. The vocals become more full, with stronger backing, the perfect addition to her folk/guitar vibe creating this bluesy feeling.  It’s the perfect introduction to the hybrid of styles the listener will hear the rest of the album.

Gently, has a very strong 90’s Cardigan feel, and just as the song speaks of rolling down the street, the song is so smooth one gets a sense of smoothly rolling along.  In the dead of winter reminded me so much of 70’s Marianne Faithful that after finishing the Talking about the weather the first time I had to revisit my Faithful catalog.

Like laying on a tube floating down a gentle river beer in hand, sun above -the album rolls along peacefully.  In One of those nights, she sings: “I try to keep my emotions from climbing up high, but there’s something in that song.”  Whether she meant it as a metaphor for love, or pertaining to an actual song, it’s hard not to be taken over with a calm, happy emotion when listening to this album, each and every song.

Currently, the album is available from her website in CD or Vinyl format, and is now available in digital format all over the place.  You can follow Lay Low on her facebook page, hear more of her stuff on Soundcloud.

Gangly

gangly

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UPDATE::

As you most likely came here after viewing the new Iceland Airwaves final announcement video, I thought I would update this post.  It’s now obviously what great talent lies behind Gangly, and after the positive reviews I received from their LungA gig earlier this summer, I am more than excited to see these three artists perform together on stage.  The band is working on new material as we speak, so I would highly suggest following them on Facebook for further updates.

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2014 ended shrouded in mystery as a new song seemed to appear out of thin air.  A link to Gangly, “Fuck with someone else” appeared in one of the Grapeviner’s inbox, no description, no details, just a link to a Youtube video.

The vocals are smooth and haunting, backed by an intense but minimal Massive attack-esque beat which combined with the trippy animation makes for quite the haunting track. Sure it’s a bit NSFW but the overall composition is smooth and dark and you hardly realize what the the lyrics are going on about.  It has become one of my favorite tracks of 2014, by the music alone.

In defense of my love for Icelandic music, I’ve been quoted as saying Icelanders make music fun.  They are willing to try new things, laugh off the failures and embrace the things that they themselves dig the most.  This has created an incredibly diverse musical island, and while it’s diverse, they tend to find a way to collaborate all that diversity into great sounding music.

This track is the personification of that theory.  A few musicians getting together, having fun, and trying something out.  Gangly is a collaboration of musicians that are quite successful by their own right, and they somehow got together and created this track just for the sake of creation.  Talking with one of them, even the element of becoming a mystery wasn’t completely planned out, but they are going with it because it’s fun.  This and the actual track definitely make it one of my favorite new songs of 2014.

There are more songs planned for the future, and you can follow their Facebook or Soundcloud pages for more info.

Legend

legend (origin of photo unknown)

Story has it that Legend began on a drunken night of brain-synced tomfoolery between two old friends in a studio which lead to the creation of the track ‘Devil in Me‘.  After finding its way quickly up the Icelandic charts, these friends, Krummi Björgvinsson and Halldór A Björnsson called themselves Legend, and created an album of winterishly dark and stormy synth-pop.

Krummi’s been on the scene for years, Probably most known for his band Mínus, the first Icelandic hardcore band I heard as a youngin’, and one of the first hardcore bands ever signed outside of the Icelandic realm.  He’s a busy man also known for his art, and his solo projects such as DÖPUR.  Halldór has done film and play soundtracks, as well as jingles for commercials.  He’s also an active producer and genius on the keys.  The two have been friends for quite sometime.  Previous to Legend, the two worked with Daníel Ágúst of GusGus on a country style project called Esja.

Some say there is a fine line that’s not to be crossed between Industrial pop-synth and heavy-industrial.  It’s refreshing to hear a band that calls bullshit on that theory and proves you can have both.  Their music reminds me of dark stormy Winter-ish days, yet there is a lighter side of pop floating in and out of the songs like moving clouds that threaten to reveal the sun every so often.  In my opinion, they have expertly crafted music that takes the best of both worlds creating the perfect stormy soundtrack.

fearless

Fearless, their first album, follows that interwoven, layered formula.  One gets the sense of dark, crisp, winter nights with darker songs, such as Sister, Fearless, and my favorite track with it’s deeper vocals, Violence:

And you have the lighter breath of fresh air moments, with the more pop-ish tracks such as Sudden Stop, Lust, and City which is one of the most pop tracks on the album:

The album ends with one of the lightest tracks on the album, Traveling blind, akin to the transition of winter into spring.  While I love the album, you have to see these guys live.  Krummi is a performer through and through, and puts on one hell of a gig.  Always high energy, always a little crazy, always fun.

legendlive

2015 is going to be an insane year for Legend and Co.  Legend is working on their second release,  DÖPUR and AMFJ are doing a split cassette, and Krummi’s new new project KÓBRAKAT is in the works.  If that isn’t enough, Mínus is hoping to finish an album they’ve been working on for 3 years with a hopeful release sometime in 2015.

You can follow Legend on Facebook, and listen to them on Soundcloud.  Krummi was nice enough to answer my 4 questions:

1. What is your favorite place to play at in Iceland? –I really don´t have a favorite place anymore because many venues have been closed down so they (bloodsucking yuppies) can build more hotels. These venues were so important for the music scene. It´s a shame but hopefully there will be new venues in the future, then maybe i will have a favorite place to play again.

2. If you combine all of your favorite colors (for you, add your band mates if you would), what do you get? –Black and Blue

3. What are 3 of your favorite little known bands of Icelandic origin? –Börn, Icarus and AMFJ

4. If you could be any creature playing your favorite song, what would the creature be? And what is the song. –I would be a recluse spider also known as Fiddle-backs playing Isolation by Iggy Pop.

Knife Fights

knifefights

Simple yet energetic and noisy, there’s a new album from a new band in Iceland; I need you to go to hell, by Knife Fights.  Consisting of Sigurður Angantýsson (Vocals, guitar), Helgi Pétur Hannesson (drums), Gunnar Petur Hauksson (Bass), and Þórir Bogason (synth and guitar.)   Knife Fights have released the perfect summer album.

I need you to go hell is chock-full of modernized noisy 90’s American west coast style rock.  A smorgasbord of The Breeders, Jane’s Addiction, R.E.M type sounds, with a dash of grunge. The opening riff sucks you right into the smooth-ish track,  Stay Forever in Doubt, and rolls along into more raw, rock/punk tracks such as Gnarbone, one of my favorites on the album.

They’re on Soundcloud, you can stalk them on Facebook, and you can listen to and/or purchase the album on Bandcamp.  It’s $10, and I promise you’ll get your money’s worth, every time I hear the thing I like it more.

siggiknife

 

As there is little out there on the band, this is my first attempt at an interview type thing.  I emailed them a bunch of questions alongside my nonsensical ones and Siggi was nice enough to reply with answers:

 

 

1. I know you’ve been around in a few forms for a year or two now, what do you officially consider your start date?  We released our first video sometime in October 2012 and had our first gig in April, 2013 so somewhere around that time I guess. This project had been gestating for a long time in my head so it’s hard to tell.

2. Can you tell me a little about how you started, and why?  It all started when I decided I was finally not shy about singing anymore or at least that I really wanted to overcome my shyness. I had slowly been learning how to play guitar in my early twenties so it took a lot of time to feel comfortable writing music and singing and stuff. I had difficulty being the focus of anybody’s attention really. By the end of 2011, I had actually written a bunch of songs or riffs and started recording them on my Macbook Pro. Really hi-fi stuff. I started sending them to my talented music friends who then offered to help me flesh it out and maybe form a band, which we did. God bless them.

3. What other bands have you all been in before or are in now?  Our drummer Helgi Pétur and bass-man Gunnar are both in an awesome band called Gang Related. Helgi is also in legendary punk band Morðingjarnir and recently started playing with our pal musician Þórir Georg. Busy man really. Our newly recruited synth-and-guitar man Þórir Bogason is of course the leader of the wonderful Just Another Snake Cult.

4. Who are your musical influences?  I’d say these are my basics: R.E.M, Pavement, Bowie, Pixies, Springsteen, Built To Spill, Echo and the Bunnymen, The Cure, The Smiths… you get the idea. With Knife Fights I just wanted to make something loud and contemplative at the same time. We were conscious about not just repeating our favourite music but rather just go with whatever we feel like. We don’t really care what we sound like as long as it keeps us interested. I also think that music is very therapeutic and that you can really tell if a musician is sincere or not in their approach. That’s what unites all my favourite art is that it seems to stem from this need that we have to communicate something or other.

5. If you had to describe your style what would say?  I’d say my personal guitar style is melodic, sloppy, wired, spaced out, organic and very un-professional. Our bassist Gunnar is like a bastard child of Jaco Pastorius and Fieldy. Drummer Helgi possesses a machine-like quality while also being really organic in his approach and Þórir’s synth-playing puts Tangerine Dream to shame. Basic.

6. You’ve been playing a lot of gigs in RVK, are we going to see you at ATP or Airwaves this year?  Airwaves maybe. Depends on wether we’re deemed worthy of entrance. ATP would be amazing obviously. Buttloads of awesome bands there this year.

And of course, my nonsensical questions:

1. What is your favorite place in Iceland to play?  Harpa concert hall was really nice and grand but I think honestly Dillon Rock Bar is always the most energetic and fun. It’s all good though. I’ll play anywhere.

2. If you combine all of your favorite colors, what do you get?  Turquoise, pink and orange make this kind of dark olive green. Which is nice.

3. What are 3 of your favorite little known bands of Icelandic origin?  I’m a little biased here but I have to say Gang Related, Just Another Snake Cult and Þórir Georg.

4. If you could be any creature playing your favorite song, what would the creature be? And what is the song?  I have a deep fascination with gorillas so I’d be one of those and the song would be ‘The Sidewinder Sleeps Tonite’ by R.E.M. It brings instant childhood nostalgia and mixed feelings.

Give them a listen, and if you’re around Reykjavik, keep your ears peeled as they are playing a lot of live gigs these days.