Category Archives: Uncategorized

Sóley, Ask The Deep

soleyatd

It’s been 4 years since Sóley’s last full-length album, and as they say good things come to those who wait.  Sóley Stefánsdóttir, of Seabear and her own fame has delivered one hell of a finely crafted piece of art with the new album Ask the Deep

While We sink‘ was dark,  Ask the Deep goes further down the rabbit hole.  An internal argument of staying with or leaving devils.  Multiple layers of tribal-like percussion, floating synth, and cascading keys weave a sophisticated and emotional dance creating the perfect background to Sóley’s haunting and rhythmic vocals.  I honestly feel you’d be hard pressed to find such sweet serenades about devils, darkness, and despair anywhere else.

Each listen I give this album brings out a new emphasis in both the instrumental and wording in the songs.  I’ve given it enough listens to safely say it’s far from getting old, this is definitely one of my favorite albums of the year.

The album starts off with the track, ‘Devil’ where Sóley asks if she’s danced with devil, and does he still love her?  A person realizing a personal struggle, or perhaps someone they care about, may be harming them but they’re afraid to live without them.  As the album progresses, it becomes less about how the devil feels and more how the chanteuse realizes her own power and self-worth.

By ‘I will never’ we realize she’s made it through the muck and mire and has come out stronger and standing tall leading into an almost euphoric, cloud clearing/sun shining ‘dreamers’, the most upbeat song on the album.  The album ends with ‘Lost ship’, a final contemplation and realization that letting go will make her responsible for her own life, and is she willing to let the devil go to do so.

The first music video from the album, ‘Halloween’ is surreal and beautiflly done, you can see here:

You can follow Sóley on Facebook, and on her website.  She is touring, see her schedule here.  And she will be in the United States in October for Iceland Affair up in Connecticut.

Börn! Basement! Boston!

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I first heard Börn when I was up in Iceland last year.  After hearing a track or two I was excited to get the chance to hear them in person at Iceland Airwaves ’14.  Alas, their time slots never seemed to work, and when I did finally get to see them, I had to split the time as I really wanted to see another of Iceland’s punk bands, Kælan mikla, who were playing directly below Börn at the same time.  So I got to see a half show but really wanted more.

Luckily for me, this past Saturday they stopped by a random Boston basement on their U.S. tour to play a gig with Laika’s Orbit and Leather Daddy. put on by the outfit, Grandma’s house.

Laika’s Orbit was a pleasant pop-punk band, more punk than pop, but their melodies and rhythms worked well in being the first band of the night.  Leather Daddy, an all female band, growled and thumped causing the crowd in this tiny basement to move around to the absolute limit they could.

Börn, up next, is comprised of 4 members; Alexandra on vocals, Anna Guðný on Guitar, Júlíana on bass, and Fannar on drums.  Their riffs remind me of Christian Death and their hard-edged vocals amplify the complex and somewhat forcefully dark energy that erupted from their playing area.  There is a lot of energy,  Fannar almost knocked the bass drum over twice, Alexandra had to put two cinder blocks in front just to keep it still.  There may or may not have been a kick pedal casualty during the set.  When they were finished, the crowd politely asked for more, and the they obliged with one more song.

From what I’ve been told, and what I’ve Google translated, their lyrics cry out against the horrible way we treat folks over body image and stereotypes.  And they are living proof that no matter what folks think, you can do whatever it is your mind is set to do, and you can do it well.

They still have a few weeks left.  I highly suggest you go see them, rock out, and pick up their merch.  They have their 7″ single, and a cassette of their long sold out full length album, as well as T-shirts and buttons.   I’ve included their U.S. tour poster here; they still have gigs spread out over the U.S.

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You can keep up with them on Facebook, or visit their website here.

Iceland invasion in Boston, Ólöf Arnalds and GusGus

olofgus

There will be two different Icelandic acts performing this weekend in Boston. On Saturday the 11th,  Ólöf Arnalds will be at the Paradise Rock Club for the sold out Jose Gonzalez / Ólöf Arnalds gig, and GusGus will be performing at the Sinclair on Sunday the 12th. Two completely different genres of Icelandic music in one weekend.

Ólöf Arnalds has one of those voices that translates well over many different types of music. She’s a former member of múm and has collaborated with a good deal of the Icelandic musician populace while finding the time to release 3 of her own albums. This video is from her newest album, Palme:

Við og Við is the album that I was introduced to her by, and it’s a sweet traditional album of what I have always felt were folktales. Her newer albums have taken that sweet traditional style and incorporated unique beats and modern sounds creating an individual style of troubadour-ism, and she’s started to sing in English which is good for us poor souls that, try as we might, can’t seem to get the Icelandic language down. I’ve had the opportunity to see her a few times around Iceland and each time felt as if this was a personal gig for friends hanging out, as if she had just shown up with a guitar and wanted to play, catering to the atmosphere of the individual venue she was at.

She’s playing with another talented singer-songwriter named Jose Gonzalez. Of Argentinian descent, Jose was born and grew up in Sweden. There’s a great cross culture of pop, latin, and northern found in his songs.

Ólöf Arnalds comes from a diversely musical family. She’s the cousin of Ólafur Arnalds, and she’s the sister of Klara Arnalds of Boogie Trouble. And as you know, I am a massive fan of Boogie Trouble.  Lucky you if you are going to the gig, it’s going to be a great way to spend a Saturday evening.

GusGus have been around for 20 years now and have 10 albums under their belt, 9 studio albums and one live. It’s an ever evolving beast that has been home for many musicians, including Emilíana Torrini, and Magnús Guðmundsson. It now consists of 3 members, Birgir Þórarinsson, Daniel Ágúst Haraldsson, and Högni Egilsson.

Their albums are all in the wide spectrum of electronic, sometimes moody but mostly energetic tracks that come across well both on album and live. Forever will always hold a special place in my collection, as during the time I lost 200lbs, Forever was one of the most frequently used albums as the beat just happened to run parallel to mine at the gym. While they do have a darker feel occasionally, there’s a high energetic wave-band that flows out of them.

I promise no one will be just standing around Sunday night. I’ve seen them play massive gigs with many people on stage in Iceland as well as dj sets in bar-like atmospheres with only a few of them, and they always put on a fantastic show.

It’s going to be a fantastic weekend of music around Beantown so I suggest you get up and out and do something.  There has been a great deal more of Icelandic bands visiting our city, and I hope it continues as it’s been great seeing these folks off the island.

Björk at MoMa

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photo credit: Gisele Regatao

While in New York this past weekend I ventured up to the Björk exhibit at the MoMa.  After the mixed reviews I had read, I was curious to see what a musician’s exhibit at an art museum could be like.

If you take your time and follow the advice they give you you’ll enjoy it, I certainly did.  But if you rush through you will miss the big picture and it will be understandable why you only remember seeing creepy mannequins and hand written lyric notes (a summation of one reviewer.)

In the lobby of the MoMa sits a few of the instruments Björk created for Biophilia.  Such as the gravity harp, midi-organ and gameleste/celeste combo.  I was bummed the gravity harp wasn’t working, but the midi-organ was on auto play so that was cool.  Iceland’s only pipe organ builder, Björgvin Tómasson, helped create these wonderful sounding instruments. As a side note, he is the father of Júlíus Óttar, a musician in one of my favorite bands of 2014, Var.

The exhibit is two parts spanning two floors.  There is the audio tour, Songlines, that you have to get time reservations for, and the music video experience Black Lake, which is followed by a room you can relax in and watch Music videos from the Björk catalog. I highly suggest you get your timed reservations first, then go to the Black lake portion while you wait.

After getting our timed tickets we ventured off to wait in line for Black Lake. As you’re in line and look over, there is a multi-floor projection of the “Big-time sensuality” music video slowly playing on a massive wall which gives the impression of Björk watching over you as you enter her exhibit.

Black lake is in a cave-esque room with walls covered in sound insulating cones reminiscent of Volcanic rock. The only light is coming from two gigantic screens that face each other from opposite walls and there are over 45 speakers located on the ceiling and walls throughout the room. While waiting to begin, the screens display a message about the set up, and in big letters state that you should walk around, as the multiple channel set up means you will experience different parts of the song depending where you are in the room. I was shocked at how many people just stood still.  I’m no audiophile, but the changing emphasis of the intricate parts of the song from different areas of the room really changed the feel of the song for me.

Once you leave the cave you move over to another room with a high ceiling and a massive screen showing Björk music videos. There are flowing fluid like couches that stretch out down the room, and it’s just a place you can rest and watch videos and be consumed by the large soundsystem and screen.

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Photo by Timothy A. Clary

Songlines is the audio visual part of the tour.  This is the part that requires the timed ticket, and you’ll appreciate the wait as without the timed stagger between entrants the tiny set of maze-like rooms you go through would be too packed to enjoy.  You wear an iphone around your neck that they call your “heart”, and as you move from room to room it changes dialogue to that specific room.

In the introduction, they tell you to take your time, that the tour takes 40 minutes and that you should wait until each room’s audio is done before moving along.  You’re free to move at your own pace but in this case, heed the advice and take your time.  It’s the difference between a fantastic experience, and a blah one.

We live in a time where we seem to take a photo of what we are looking at before actually looking at it, and then move on to the next photo.  We no longer take the time to consume what we are experiencing in the present, instead snapping a pic for later.  If you run through this exhibit snapping selfies and photos of the lyric sheets and mannequins dressed in Björk clothing, you will miss the the best part, and you will never experience the full program.  It is after all, called an audio tour through her 7 albums and history, not just an artifact hunt.

maskIn one of the most minimal rooms in the exhibit (there are only two items) the walls have benches spanning each side of the room.  You sit and relax with two red parenthesis-type red neon lights above you and you listen.  There is an oddly loud bleed-through of the music video exhibit below, but you just rest, and listen to your “heart.”  This room became my favorite part of the exhibit, and here’s why:

In the dialog from the “heart” around your neck, well past what you would hear if you just entered the room to look at the two items and left, you hear a beautiful account of the girl in the story’s realization of the child growing inside of her.  In the story, the girl starts to hear, and realizes there is a new heartbeat inside her, the heartbeat of her daughter.  And while you are listening to the story of her realization of her daughter’s heartbeat, through the “heart” around your neck, you can hear and feel the heartbeat of her music from below.  It’s an all encompassing triumvirate of heart so to speak.  It was really beautiful to me, and I left that room feeling really warm and fuzzy.

Now I don’t know if I’m stretching, and maybe it’s not what they intended, but I have to say I smirked and thought to myself, well played.  And how fantastic to not start the room dialog with that but leave it for those who are actually listening and enjoying the exhibit.  Once outside the exhibit I thought… Don’t be in such a rush, listen fully to your heart in good or bad times, and you’ll get the big picture.

So go to the exhibit, but don’t just go see it, go experience it.  Take your shoes off and walk through the moss-fields barefoot.  Don’t just snap photos, but think about what you’re hearing, seeing, and feeling.  Live in the present for 45+ minutes, and it will all be worth it.

Endnote:  This could very well be the most spiritualistic touchy-feely thing I’ve ever written or mentioned, and we can only hope my very spiritual touchy-feely mum who thinks I’m a stick in the mud doesn’t go into shock when she reads it.

T’is the season for new music, Snarl 4

snarl4It’s been decades since the last Snarl,  and Dr. Gunni certainly exceeded expectations with this 4th edition.  The compilation contains a broad assortment of what is coming up and is going around Iceland.  It’s not just double rainbows, bowed guitars, elven harmonies or hair model horses.  It’s everything from deep dark meaty punk to folk;  trippy rock to dizzying funk.  Its all encompassing with 25 great bands anyone that appreciates music will end up digging.  What else would you expect from the author of one of my favorite history of Icelandic pop-rock books, Blue eyed pop.

You can listen and purchase the compilation here on Bandcamp.  Either get a digital copy for $10, or an actual CD including a foldout cover with pictures of the band, and a long summation by Haukur S Magnússon of Grapevine. for $20.  Here are just a few of what I feel are the lesser known bands you’ll find on the comp:

Pink Street BoysEvel Knievel

They were one of the favorite new bands of Airwaves, and justifiably so.  Dirty, punkish rock that required one to take a shower after seeing them rock the shit out of wherever they played.  I was looking forward to seeing them at Airwaves, and they didn’t disappoint in the slightest.

Kælan MiklaEkkert Nema Ég

I’ve got a soft spot for this band, they really tore it up at Airwaves, and brought back nostalgic memories of Hole before the celebrity.  Angry angry gals with heavy beats behind them.  This isn’t the song on the album, but a good representation, and it was filmed in one of my favorite bars in Iceland, Bar 11, quite possibly by a drunk individual….not me.

Dj. flugvél og geimskipDraugur I Kastalanum

The compilation isn’t just dark heavy punk and rock, Dj. flugvél og geimskip, the alter ego of Steinunn Eldflaug Harðardóttir is one of the sweetest beings out there, and her funky trippy manner is best witnessed live.  Again not the song on the comp, but my favorite video of hers.

KVÖLWatching Me

KVÖL is the new project of one of my favorite Icelandic artists, Þórir Georg.  I first heard him when he was My Summer as a Salvation Soldier, and as he progressed through the years, so did his music, like a crazy river ever evolving, this new project has a fantastic gothic, Joy divisionist feel to it.  You can actually hear a lot more from him on Soundcloud, and I suggest you do, He’s releasing an album that will combine his two EPs as well as some newer stuff soon.

These along with a lot of Icelandic favorites, such as Prins Póló, Just Another Snake Cult, Mugison, Grisalappalisa & Megas, Börn, Knife fights, and Sindri Eldon are all included, and honestly this post could go on forever.  I highly suggest you go over to Bandcamp and give it a listen now.  This comp has definitely earned it’s spot as one of my favorite releases of the year.

Iceland Affair 2014

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There are times in life when the elements align themselves just right, and the blood sweat and tears of someone creating their dream shines through the end product in such a way that one can’t help but be moved.  That is what happened this past weekend in a beautifully autumn colored town in middle-of-nowhere Connecticut.

This was the 5th year for Iceland Affair, an all day festival consisting of daytime lectures, Icelandic horses, goats, falcons, A lot of Icelandic food, and coffee mugs, let’s not forget the coffee mugs. All of this followed by an Icelandic concert at the very homey and cozy Infinity hall in Norfolk, CT.

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Gerri Griswald is the lady behind Iceland affair, and once you’ve come within 50 feet of her, you can’t help but get swept up with her charming personality, glacier-sized determination and outpouring of love to everyone and everything that helps her put this on year over year. Speaking with her can’t be done without 90% of what’s audible being laughs.  And the sincere love she has for what she’s doing is beyond impressive.

Arriving at the festival I was greeted by people riding Icelandic horses, Lopopeysas (Icelandic sweaters) and other Icelandic merchandise for sale out on the front lawn.  Downstairs from the lectures there were free pylsurs (Icelandic hotdogs), dried fish, and very tasty cakes.  Upstairs from the dining hall, and merch tables was the lecture hall.

Unfortunately due to scheduling and life, I arrived at the festival later in the afternoon, and was only able to hear the last half of Dr. Gunni’s lecture on the history of pop music. Along with other tidbits of Music life in Iceland, Dr. Gunni’s presentation followed his book, Blue Eyed pop, with audio/visual aids and a Q&A with the audience directly afterwards.  A browse around the merchandise, fantastic cake, and a few pylsurs later and off to the concert I went.

flags The concert was at the Infinity hall in Norfolk, CT.  It’s a cozy ornamental building, and the concert hall’s warm woodwork really played into what would be a cozy, intimate gathering.  On their way to their seats, the crowd was given Icelandic flags, and told to wave it during applause as a surprise to the musicians on stage.

I’ve spoken about the ability Icelanders have of including the crowd in their performance.  And Agnes ErnaSnorri Helgason, Svavar Knútur, Lay LowMyrra Rós, Kristjana Stefánsdóttir,  and Bjorn Thoroddsen. fulfilled and exceeded any expectations in that regard as they chatted, joked with, and shared laughs with everyone on or off the stage.  It was a collaborative effort as the musicians took turns at front stage while being supported by the others, all ending with Dr. Gunni’s fart song and a special two-toned tutu wearing host belting out an old classic with the rest of the band.  I also should mention that drums were mostly handled by Myrra’s husband Júlíus, I unfortunately did not catch his last name.

By the end of the concert, the crowd was completely on their feet singing loudly and waving flags furiously, and it seemed that neither the musicians nor the audience wanted it to end, so the party headed downstairs where the musicians talked with and autographed Icelandic flags for people. the lingering about and business of the downstairs made it evident, nobody was in a hurry to leave.

Plans are in the works for next years event, and I would highly suggest you check it out by following the Iceland Affair facebook page throughout the year.  She tends to post videos or updates on the bands that have played, as well as updates on the festival itself.

I have to say that I am glad me and my label got to do our small part to help out on this festival, it’s truly a labor of love for Gerri, and the quality, attitude, and atmosphere created a charming night I won’t soon forget.  I’m already looking forward to seeing what she comes up with for next year.

Tips for Iceland Airwaves 2014

Entire Harpa audience on the ground

Entire Harpa audience on their knees at FM Belfast

Another year, another Iceland Airwaves.  It’s time again for one of my favorite music festivals of the year.   Me, you, and approximately 9,000 other festival ticket holders will be invading the city of Reykjavik for 5 days of non-stop music, art and beauty surrounded by amazing scenery and  unique culture.  I’ve revised my list of pointers I’ve gathered over the years, and here they be:

The first and probably best tip I can give you is that Positivity and awareness of the people around you goes a long way.  Iceland can be quite laid back, and while there typically is no rush, its people will do their best to help you in most any situation. It’s a small island, and there really isn’t room for ego’s or entitlements so do your best not to be rude or condescending.  if something is taking longer than usual or needs a little tinkering to be just right, just breathe and remember that 9,000+ of us just landed on the island and the folks helping us out are most likely doing their best. Getting cross or yelling at people will get you absolutely nowhere.

Prepare! Prepare! Prepare!, there are over 200 bands playing in a matter of 5 days. Learn you stuff before you even land, make primary plans as well as back up plans in the event you can’t get into the primary gigs you want to see. Spotify has an Airwaves playlist, the Iceland Airwaves website has details on all the bands with links to their music, as well as an app where you can browse bands, create schedules, and let your friends know where you are.

I have a page dedicated to the Iceland Artists loosely sorted by genres. There is going to be a lot of new music you haven’t heard, and getting a head start on previewing it will make for a broader, more musically expanding experience.   There is a free English newspaper in Iceland called the Grapevine.  They always put out a detailed Airwaves issue, and I suggest you get that as well.

Pétur Ben at an off-venue gig at Kex Hostel

Pétur Ben at an off-venue gig at Kex Hostel

There are a lot of Off-venue gigs as well, over 600 of them this year at 44 different spots around the city. Off-venues are shorter daytime gigs the bands put on in coffee houses, hostels, and other gathering places around the city. You don’t need a festival wristband to get into them, so if you are planning on seeing someone, it’s always a good idea to get there early as it’s first come first serve for the whole city.

 

Be Social, chances are you will find yourself waiting in a queue for a gig, or standing around waiting for a band to begin. Use that time to talk to the people around you. We all have our love for music in common and talking with someone near you may lead to discoveries of bands you would have never thought to go and hear. It took me a few years to get used to this, and a few of my Icelandic friends are always commenting that I need to be more social. The key advantage to being social is that there are quite a few after-parties and unplanned sets that happen around Reykjavik, being social will make attending these much easier for you.

If you really like a band, buy their merch at the festival. A lot of times you won’t be able to purchase it, or have to pay huge shipping costs otherwise.  Reykjavik is home to two of my favorite record shops, 12 Tónar and Lucky Records.  So make sure to include browsing these shops in your itinerary for the festival.  And be on the lookout for small-ish merch booths at the different gigs you attend.

It looks like a wabbit

It looks like a wabbit

Be a tourist, at least for a day. Iceland is gorgeous, there is a reason everyone freaks out about the volcanic valleys and waterfalls. Make sure to take some time to tour around. The Golden circle tour may seem to be too “touristy” but it’s not. It spans a great deal of distance, and the guides are chock-full of information.  It can all be done during the day so you can return in time for the night festivities no problem. One of my favorite new Icelandic travel blogs is I heart Reykjavik.  She has a very sweet and informative online presence, her Facebook page is entertaining and informative, and she offers daily walking tours around Reykjavik.  Be quick to reserve as she sells out rather quickly, I’ve yet to work one of her tours into my schedule when I’m there, but I’ve had plenty of people tell me how much they loved her.

And finally, It’s possible you may run into some of your favorite mythical Icelandic band members.  While telling the band thank you is typically appreciated, or casually chatting about this or that while in a queue, nobody likes a stalker.  Chasing them down the street screaming, or camping out waiting to catch a glimpse of avocados being peeled or coffee being consumed is just creepy and not the norm in Iceland.  It will make for really awkward situations, chances are if these guys are around, they want to listen and see the bands playing as well. It’s an island, not a zoo; and they are your concert going peers, not monkeys.

So, show up relaxed and ready to mingle, do your homework on what you want to see, and explore, this is the gist of it. It’s a fantastic festival put on by awesome folks.  I’ve yet to hear anyone ever say they won’t be trying their hardest to return the next year.

You can read about my previous re-caps of Iceland Airwaves here.  And you can see my photos from Last year’s festival here.  See you there!

 

 

Iceland Affair

Icelandaffair

In a small town nestled in the middle of Connecticut there resides a peculiar lady.  She raises bats, tends to porcupines, and single handedly puts on the second largest Icelandic festival in the U.S.  Gerri Griswald is her name, and Iceland Affair is her festival.  The festival will be happening October 18th in Winchester center, CT at the Winchester Grange.

Iceland affair began 5 years ago when Gerri decided to bring some of the acts that had entertained her travel guides in Iceland back to the states.  Relying on donations and a very forgiving husband, Gerri has been putting the festival on ever since slowly bringing more and more Icelandic talent stateside so that people who may not be able to make it to the island could experience it’s wonders here.

While some would be pleased with just a concert, Gerri has put together a day of presentations including Icelando-centric falconry, goat raising, ornithology, nature and geological talks.  As well as authors presenting on things such as the Icelandic sagas, and the history of Icelandic music. To learn more about the presenters, click the image below.

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From left to right, Brian Bradley (Falconer), Dr. Gunni (Musician/author of Blue Eyed pop), Jóhanna Bergmann Þorvaldsdóttir (Goat farming and preservation), Jóhann Óli Hilmarsson (photographer, ornithologist), Jón Baldur Hlíðberg (Naturist, illustrator), Nancy Marie Brown (expert on the sagas, author), Tom Alena (Geologist, meteorologist, entertaining lecturer)

And of course, how could one celebrate Iceland without music.  The festival ends with the fire and ice music festival at Infinity hall in Norfolk, CT.  The concert consists of 5 well known Iceland artists, ranging from indie, to jazz and folk.

fire

From left to right, Svavar Knútur, Lay Low, Snorri Helgeson, Agnes Erna, Kristjana Stefánsdóttir, Myrra Rós, and Bjorn Thoroddsen.  Click on their names to learn more about them.  While the festival is free for the most part, the concert requires the purchase of tickets, which are selling out quickly, so learn more and get your’s here.

Ragnaarbastiaan.com and Theory of Whatever records are pleased to help out with this years festival, and even more pleased to be attending.  So if you’d like to learn more about Iceland, hear some fantastic Icelandic music, this is the festival for you.  For us it’s the perfect appetizer for the upcoming Iceland Airwaves.  Go to Iceland Affair to learn more including directions and places to stay while attending.  And we’ll see you there.

An announcement of sorts

Theory of Whatever records

towlogo (2)

So I’ve gone and started a record label, Theory of Whatever Records (TOW for short.)  It’s something I’ve always wanted to do after leaving the music world a decade ago, and this just seemed to be the right time.  The goal of the label is to get music we dig out in the music realm so others can dig it as well.  We’ve got some great things coming up for the rest of 2014 and 2015, it’s all rather exciting.  I’ll still post on here as I enjoy writing about the new Icelandic bands out there, and it won’t matter what label they are on, but it may be less frequent depending on how crazy life gets.

You can visit the new label website here, and you can can find us and/or like us on Facebook here.   Now for a shameless plug:

We are rather excited and humbled that our first is none other than kimono.  I have had a music crush on this band for many years and we are excited that we get to release their new single here in the states as well as at Iceland Airwaves 2014 where they will be performing.

kimono’s Specter is an earworm, it’s still got that minimalish-heavy feeling that makes kimono so great, but there’s a new almost dance factor that will stick in your head for days.  and the B-side is a cover of the great Icelandic band Þeyr’s  “Rúdolf.”  the album artwork is by  Sigurður Angantýsson, not only an artist, but in the band the Knife Fights.  You can see more of his artwork here.

kimonologo

The single, a 7″ 45 vinyl record,  will be released in US on November 11th.  until then it will be available at kimono gigs in Iceland, including Iceland Airwaves. The single will be accompanied by a digital download, but of course.

If you’re going to be at  Iceland Airwaves and you want to reserve your copy to be picked up during the festival, or you want to pre-order your copy for the US Release, you can go ahead and do it here.

 

So here’s to adding another chapter with the help of a fantastic band.

 

Futuregrapher

futuregFuturegrapher, otherwise known as Árni Grétar, is a staple of the weirdcore scene in Iceland.  Multiple layers of trippy broken beats combined with the atmospheric noise he’s famous for recording, his music is known to cause spontaneous outbreaks of dancing when played.  This result isn’t limited to just the crowd of onlookers, but Árni himself is known to break out violently into his cooky style of dance behind all the knobs and buttons on stage:  Exhibit 1 of his awesome dance style can be seen on the song he did with Guðjón Heiðar:

Partnering up with fellow musician, Skurken he owns the Icelandic record label Möller records which gets it’s name from the famous Icelandic singer Helga Möller from the 70’s band Þú og ég.  Möller is an electronic label with other Icelandic acts such as Skurken, Bistro Boy and Subminimal.  Futuregrapher is also famous for his remixes, including the following remix of Samaris’s Viltu Vitrast  And Kimono’s newest release Aquarium:

Futuregrapher is working on a new album, SKYNVERA, it would be his second after 2011’s LP, aptly called, LP.  As it gets more and more expensive to do a proper release, it’s kind of cool that artists can pre-sell the album as crowd sourcing to get their music out.  And Arni has a lot of music, love and hugs to give out, as well as other goodies if you’re willing to help him get the new project up and going.  So go here to his Karolina fund campaign, read what he has to offer and help him out.  At the very least, you’ll get a hug.

He has quite the extensive Soundcloud page, his Instagram account is active (ftrgrphr), and you can find more about him on Facebook.  See him live if you can, because it’s always a party.  He was nice enough to answer my 4 questions:

1.  What is your favorite place to play at in Iceland:  Drangsnes – and Kaldalón, Harpa

2.  If you combine all your favorite colors, what do you get?  Pink

3.  What are 3 of your favorite little known bands of Icelandic origin?  LaFontaine, Snooze Infinity, Modesart

4.  If you could be any creature playing any song, what is the creature, what is the song?  Gizmo – and the song will be ‘Aja’ by Steely Dan.

gg