And, the final announcement is out. Almost 230 bands will be at Iceland Airwaves 2015, and while we’ll definitely miss Björk and Mammút, The Airwaves staff have outdone themselves with the roster this year. This is the most bands I have seen yet, 155 of the 230 bands are Icelandic, and they span the spectrum of every genre. Here is the new announcement, Directed, edited and created by the wonderful Ingibjörg Birgisdóttir, Sin Fang once again is credited with the music, and… Now we all know who Gangly is.
Also announced for this year is a festival within a festival. On Sunday, the final night of the festival,the mini-festival called Extreme Chill will happen at the Vodafone Hall. One last hurrah and “laid back” night of music, featuring Hot Chip, Introbeats, dj. flugvél og geimskip, Agent Fresco, Emmsjé Gauti, Sleaford Mods, Úlfur Úlfur and FM Belfast. You can learn more about it here. It’s a fantastic idea, because if you have done Airwaves right, nothing will sound better than only having to go to one place to finish off in musical bliss.
As I did for 2014 and 2013, I’ve listed all of the Icelandic bands playing into loosely divided into genres on this page. Clicking on their name will open a new tab with the Iceland Airwaves info page for that artist, which includes Soundcloud, Social media links, and a short bio.
This list is just the Icelandic bands playing, if you want to see the full line-up go to the Iceland Airwaves Line-up page.
|Singer/Songwriter – Folk – Blues/Jazz – Composers – Classical|
|Árstíðir||Aurora||Axel Flóvent||Beebee and the Bluebirds|
|Helgi Valur||Hymnalaya||Jónas Sen||Júníus Meyvant|
|Justman||Lucy in Blue||Magnús Leifur||Máni Orrason|
|Markús & The Diversion Sessions||Mógil||My Bubba||Nordic Affect|
|Þórunn Antonía og Bjarni||Ylja|
|All things Electronica – Dance / DJs / Composers / ambient / ElectroPop / noise|
|Agzilla||Arni Vector||Arnljótur||Art is Dead|
|Brilliantinus||Daveeth||dj. Flugvél og geimskip||DÖPUR|
|Ghostigital||Good Moon Deer||Gunnar Jónsson Collider||Gus Gus|
|H.dór||Hekla||HimBrim||Jack Magnet Quintet|
|Jóhann Eiriksson||Jón Ólafsson & Futuregrapher||Kiasmos||Kippi Kaninus|
|Mike Hunt||Mr. Signout||Odinn||OHM|
|Royal||Ruxpin||Serengeti by President Bongo||Skurken|
|Punk – Hardcore|
|In the Company of Men||Kælan Mikla||Muck||Pink Street Boys|
|Skelkur í bringu|
|All Shades of Metal|
|Beneath||Bubbi Og Dimma||Endless Dark||Kontinuum|
|Hip-Hop – Rap – Reggae|
|AmbAdama||B-Ruff||Cell 7||Cheddy Carter|
|Emmsjé Gauti||Epic Rain||Gísli Pálmi||Herra Hnetusmjör|
|Kut Grapje||Ojba Rasta||Reykjavíkurdætur||Shades of Reykjavik|
|Sturla Atlas||Úlfur Úlfur|
You can listen to all the bands playing this year via Iceland Airwaves Spotify playlist here:
And here are the previous video announcements:
Video four was Directed, produced, and shot by Máni M Sigfússon, starring Kælan Mikla, with music by Sin Fang:
Video three was produced by Les Frères Stefson, directed and written by, Unnsteinn Manuel Stefánsson And the banker was Haraldur Ari Stefánsson:
Video two with Hrafnkell Örn Guðjónsson drumming away as band names float across the screen:
First announcement with Dj. Flugvél og Geimski:
I would suggest getting your tickets sooner than later, especially if you are planning on doing a package you’ll have more hotel options in the beginning now than you will in a month. Typically the festival sells out, but with the line up looking as good as it does this year, I would imagine it will sell out sooner than later. I’m sure you wouldn’t want to be on the wrong end of “you snooze, you lose”
If you want to see what the past has been like, here is a link to all my Iceland Airwaves related posts. And here is the link to the Iceland Airwaves Flickr page if you want to see just how fun this festival really is.
Hope to see you there.
It’s been 4 years since Sóley’s last full-length album, and as they say good things come to those who wait. Sóley Stefánsdóttir, of Seabear and her own fame has delivered one hell of a finely crafted piece of art with the new album Ask the Deep.
While We sink‘ was dark, Ask the Deep goes further down the rabbit hole. An internal argument of staying with or leaving devils. Multiple layers of tribal-like percussion, floating synth, and cascading keys weave a sophisticated and emotional dance creating the perfect background to Sóley’s haunting and rhythmic vocals. I honestly feel you’d be hard pressed to find such sweet serenades about devils, darkness, and despair anywhere else.
Each listen I give this album brings out a new emphasis in both the instrumental and wording in the songs. I’ve given it enough listens to safely say it’s far from getting old, this is definitely one of my favorite albums of the year.
The album starts off with the track, ‘Devil’ where Sóley asks if she’s danced with devil, and does he still love her? A person realizing a personal struggle, or perhaps someone they care about, may be harming them but they’re afraid to live without them. As the album progresses, it becomes less about how the devil feels and more how the chanteuse realizes her own power and self-worth.
By ‘I will never’ we realize she’s made it through the muck and mire and has come out stronger and standing tall leading into an almost euphoric, cloud clearing/sun shining ‘dreamers’, the most upbeat song on the album. The album ends with ‘Lost ship’, a final contemplation and realization that letting go will make her responsible for her own life, and is she willing to let the devil go to do so.
The first music video from the album, ‘Halloween’ is surreal and beautiflly done, you can see here:
I first heard Börn when I was up in Iceland last year. After hearing a track or two I was excited to get the chance to hear them in person at Iceland Airwaves ’14. Alas, their time slots never seemed to work, and when I did finally get to see them, I had to split the time as I really wanted to see another of Iceland’s punk bands, Kælan mikla, who were playing directly below Börn at the same time. So I got to see a half show but really wanted more.
Laika’s Orbit was a pleasant pop-punk band, more punk than pop, but their melodies and rhythms worked well in being the first band of the night. Leather Daddy, an all female band, growled and thumped causing the crowd in this tiny basement to move around to the absolute limit they could.
Börn, up next, is comprised of 4 members; Alexandra on vocals, Anna Guðný on Guitar, Júlíana on bass, and Fannar on drums. Their riffs remind me of Christian Death and their hard-edged vocals amplify the complex and somewhat forcefully dark energy that erupted from their playing area. There is a lot of energy, Fannar almost knocked the bass drum over twice, Alexandra had to put two cinder blocks in front just to keep it still. There may or may not have been a kick pedal casualty during the set. When they were finished, the crowd politely asked for more, and the they obliged with one more song.
From what I’ve been told, and what I’ve Google translated, their lyrics cry out against the horrible way we treat folks over body image and stereotypes. And they are living proof that no matter what folks think, you can do whatever it is your mind is set to do, and you can do it well.
They still have a few weeks left. I highly suggest you go see them, rock out, and pick up their merch. They have their 7″ single, and a cassette of their long sold out full length album, as well as T-shirts and buttons. I’ve included their U.S. tour poster here; they still have gigs spread out over the U.S.
There will be two different Icelandic acts performing this weekend in Boston. On Saturday the 11th, Ólöf Arnalds will be at the Paradise Rock Club for the sold out Jose Gonzalez / Ólöf Arnalds gig, and GusGus will be performing at the Sinclair on Sunday the 12th. Two completely different genres of Icelandic music in one weekend.
Ólöf Arnalds has one of those voices that translates well over many different types of music. She’s a former member of múm and has collaborated with a good deal of the Icelandic musician populace while finding the time to release 3 of her own albums. This video is from her newest album, Palme:
Við og Við is the album that I was introduced to her by, and it’s a sweet traditional album of what I have always felt were folktales. Her newer albums have taken that sweet traditional style and incorporated unique beats and modern sounds creating an individual style of troubadour-ism, and she’s started to sing in English which is good for us poor souls that, try as we might, can’t seem to get the Icelandic language down. I’ve had the opportunity to see her a few times around Iceland and each time felt as if this was a personal gig for friends hanging out, as if she had just shown up with a guitar and wanted to play, catering to the atmosphere of the individual venue she was at.
She’s playing with another talented singer-songwriter named Jose Gonzalez. Of Argentinian descent, Jose was born and grew up in Sweden. There’s a great cross culture of pop, latin, and northern found in his songs.
Ólöf Arnalds comes from a diversely musical family. She’s the cousin of Ólafur Arnalds, and she’s the sister of Klara Arnalds of Boogie Trouble. And as you know, I am a massive fan of Boogie Trouble. Lucky you if you are going to the gig, it’s going to be a great way to spend a Saturday evening.
GusGus have been around for 20 years now and have 10 albums under their belt, 9 studio albums and one live. It’s an ever evolving beast that has been home for many musicians, including Emilíana Torrini, and Magnús Guðmundsson. It now consists of 3 members, Birgir Þórarinsson, Daniel Ágúst Haraldsson, and Högni Egilsson.
Their albums are all in the wide spectrum of electronic, sometimes moody but mostly energetic tracks that come across well both on album and live. Forever will always hold a special place in my collection, as during the time I lost 200lbs, Forever was one of the most frequently used albums as the beat just happened to run parallel to mine at the gym. While they do have a darker feel occasionally, there’s a high energetic wave-band that flows out of them.
I promise no one will be just standing around Sunday night. I’ve seen them play massive gigs with many people on stage in Iceland as well as dj sets in bar-like atmospheres with only a few of them, and they always put on a fantastic show.
It’s going to be a fantastic weekend of music around Beantown so I suggest you get up and out and do something. There has been a great deal more of Icelandic bands visiting our city, and I hope it continues as it’s been great seeing these folks off the island.
If you take your time and follow the advice they give you you’ll enjoy it, I certainly did. But if you rush through you will miss the big picture and it will be understandable why you only remember seeing creepy mannequins and hand written lyric notes (a summation of one reviewer.)
In the lobby of the MoMa sits a few of the instruments Björk created for Biophilia. Such as the gravity harp, midi-organ and gameleste/celeste combo. I was bummed the gravity harp wasn’t working, but the midi-organ was on auto play so that was cool. Iceland’s only pipe organ builder, Björgvin Tómasson, helped create these wonderful sounding instruments. As a side note, he is the father of Júlíus Óttar, a musician in one of my favorite bands of 2014, Var.
The exhibit is two parts spanning two floors. There is the audio tour, Songlines, that you have to get time reservations for, and the music video experience Black Lake, which is followed by a room you can relax in and watch Music videos from the Björk catalog. I highly suggest you get your timed reservations first, then go to the Black lake portion while you wait.
After getting our timed tickets we ventured off to wait in line for Black Lake. As you’re in line and look over, there is a multi-floor projection of the “Big-time sensuality” music video slowly playing on a massive wall which gives the impression of Björk watching over you as you enter her exhibit.
Black lake is in a cave-esque room with walls covered in sound insulating cones reminiscent of Volcanic rock. The only light is coming from two gigantic screens that face each other from opposite walls and there are over 45 speakers located on the ceiling and walls throughout the room. While waiting to begin, the screens display a message about the set up, and in big letters state that you should walk around, as the multiple channel set up means you will experience different parts of the song depending where you are in the room. I was shocked at how many people just stood still. I’m no audiophile, but the changing emphasis of the intricate parts of the song from different areas of the room really changed the feel of the song for me.
Once you leave the cave you move over to another room with a high ceiling and a massive screen showing Björk music videos. There are flowing fluid like couches that stretch out down the room, and it’s just a place you can rest and watch videos and be consumed by the large soundsystem and screen.
Songlines is the audio visual part of the tour. This is the part that requires the timed ticket, and you’ll appreciate the wait as without the timed stagger between entrants the tiny set of maze-like rooms you go through would be too packed to enjoy. You wear an iphone around your neck that they call your “heart”, and as you move from room to room it changes dialogue to that specific room.
In the introduction, they tell you to take your time, that the tour takes 40 minutes and that you should wait until each room’s audio is done before moving along. You’re free to move at your own pace but in this case, heed the advice and take your time. It’s the difference between a fantastic experience, and a blah one.
We live in a time where we seem to take a photo of what we are looking at before actually looking at it, and then move on to the next photo. We no longer take the time to consume what we are experiencing in the present, instead snapping a pic for later. If you run through this exhibit snapping selfies and photos of the lyric sheets and mannequins dressed in Björk clothing, you will miss the the best part, and you will never experience the full program. It is after all, called an audio tour through her 7 albums and history, not just an artifact hunt.
In one of the most minimal rooms in the exhibit (there are only two items) the walls have benches spanning each side of the room. You sit and relax with two red parenthesis-type red neon lights above you and you listen. There is an oddly loud bleed-through of the music video exhibit below, but you just rest, and listen to your “heart.” This room became my favorite part of the exhibit, and here’s why:
In the dialog from the “heart” around your neck, well past what you would hear if you just entered the room to look at the two items and left, you hear a beautiful account of the girl in the story’s realization of the child growing inside of her. In the story, the girl starts to hear, and realizes there is a new heartbeat inside her, the heartbeat of her daughter. And while you are listening to the story of her realization of her daughter’s heartbeat, through the “heart” around your neck, you can hear and feel the heartbeat of her music from below. It’s an all encompassing triumvirate of heart so to speak. It was really beautiful to me, and I left that room feeling really warm and fuzzy.
Now I don’t know if I’m stretching, and maybe it’s not what they intended, but I have to say I smirked and thought to myself, well played. And how fantastic to not start the room dialog with that but leave it for those who are actually listening and enjoying the exhibit. Once outside the exhibit I thought… Don’t be in such a rush, listen fully to your heart in good or bad times, and you’ll get the big picture.
So go to the exhibit, but don’t just go see it, go experience it. Take your shoes off and walk through the moss-fields barefoot. Don’t just snap photos, but think about what you’re hearing, seeing, and feeling. Live in the present for 45+ minutes, and it will all be worth it.
Endnote: This could very well be the most spiritualistic touchy-feely thing I’ve ever written or mentioned, and we can only hope my very spiritual touchy-feely mum who thinks I’m a stick in the mud doesn’t go into shock when she reads it.
As the digital format is now available globally, I wanted to repost my review, written almost a year ago to date.
It seems that when an artist matures they feel the need to leave their old style and branch out into the new. This can be discouraging to some listeners, and exciting for others. On Lay Low’s new album, Talking about the weather, the new, slightly more complex sound chooses to embrace the past and bring it along instead of dismissing it entirely. The more I listen to this album, the more I appreciate it, and it definitely is the best I’ve heard so far in 2014.
Lay Low, Lovísa Elísabet Sigrúnardóttir, has been in the Icelandic music scene for almost a decade now. She’s in the famous Benny Crespo’s gang, and she has been putting out solo albums since 2006. Recently, she charmed the socks of the interwebs by doing a cozy live stream concert from the living room of her home. I’ve said before that she has an ability to make any size crowd feel at home, and even over the web she managed to make the listener feel as if they were hanging in her living room.
I’ve compared her previous albums to birth-children of June Carter and Nancy Sinatra. And they are all excellent lo-fi country-esq masterpieces. And while different than the others, the new album maintains the quality a Lay Low fan would expect. Each song is a single on it’s own, but is made greater with it’s accompanying album mates.
Talking about the weather starts out very classic, her voice strongly leading us into a familiar Lay Low guitar beat. But then the listener is quickly introduced to the new gang of instruments and complexities. The vocals become more full, with stronger backing, the perfect addition to her folk/guitar vibe creating this bluesy feeling. It’s the perfect introduction to the hybrid of styles the listener will hear the rest of the album.
Gently, has a very strong 90’s Cardigan feel, and just as the song speaks of rolling down the street, the song is so smooth one gets a sense of smoothly rolling along. In the dead of winter reminded me so much of 70’s Marianne Faithful that after finishing the Talking about the weather the first time I had to revisit my Faithful catalog.
Like laying on a tube floating down a gentle river beer in hand, sun above -the album rolls along peacefully. In One of those nights, she sings: “I try to keep my emotions from climbing up high, but there’s something in that song.” Whether she meant it as a metaphor for love, or pertaining to an actual song, it’s hard not to be taken over with a calm, happy emotion when listening to this album, each and every song.
Currently, the album is available from her website in CD or Vinyl format, and is now available in digital format all over the place. You can follow Lay Low on her facebook page, hear more of her stuff on Soundcloud.
The annual Taste of Iceland event is here March 12th through the 16th. This year there is a great dinner menu at Tavern Road , a community discussion between specialists in Reykjavik and Boston on future Innovations in energy and transportation, the Reykjavik calling concert, and an Icelandic film festival at Kendall Square Cinemas. You can make reservations, and learn about the entire event here.
Now let’s focus on the music. Reykjavik calling, an annual concert is once again at the Middle East Club in Cambridge March 14th, doors open at 8.
Iceland Naturally traditionally grabs a couple bands from Iceland, and a couple bands from the local scene, then tosses them together to collaborate and put on a show. These tend to be unique shows as the musicians really make it feel like a party. It’s a chance to discover new artists or new things about the artists you already like. Best of all, it’s free.
It’s recommended that you RSVP for the event via Eventbrite, but getting in is first come first serve. This event gets crowded, so from past experience I suggest you show up early as the lines build quickly and I’ve seen them wrap around the Middle East more often than not.
Kaleo began in 2012, and saw their S/T album hit number 1 in 2013. A pleasant blend of Bon Iver and Black keys.
Beebee and the Bluebirds is a jazzy rock band fronted by Brynhildur Oddsdóttir. She’s got one of those great soulful voices, and naturally entertains crowds.
Love in Stockholm is good old rock from Allston. Blending classic with modern, they have a local reputation for great live gigs, and have built a great following around the New England area.
George Knight and Pablo Palooza are rock/soul/funk locals. George, a DJ at WERS during the day, musician all the time perfectly compliments the Pablo Palooza players bringing a lot of energy wherever they play.
I asked a slightly altered version of my nonsensical questions. Beebee & the Bluebirds (BBB) Love in Stockholm (LiS) and Pablo Palooza (PaB) were kind enough to answer.
1. If you combine all of your favorite colors, what do you get?
- (BBB) Black striped violet red….
- (LiS) ROY G. BIV
- (PaB) Black
2. What are 3 of your favorite little known bands of Iceland/Boston origin?
- (BBB) –Dusty Miller –Erla Stefáns and the sinister trio –Smári Tarfur
- (LiS) Biscuits & Gravy, Sarah Blacker, and Turkuaz
- (PaB) Booty Vortex, The Chicken Slacks, and The Nephrok! Allstars
3. If you could be any creature playing your favorite song, what would the creature be? And what is the song?
- (BBB) I would be a black panther singing “Think”
- (LiS) A minotaur playing “The Night They Drove Old Dixie Down”
- (PaB) I would be an Eagle playing “I Am” by Earth Wind and Fire
Taste of Iceland is always a fantastic time, make sure to check some of it out. Check out more info on all the bands below, and we’ll see you there.